Wednesday, January 1, 2020

The Juxtaposition Between Nature and Man in Wuthering Heights

Set at the end of the eighteenth century, Wuthering Heights by Emily Brontà « is a mysterious book that maintains the reader on the edge of their seat as Brontà « explores the dark side of love, revenge, and the juxtaposition between nature and man. But had Wuthering Heights been set in another time period, many situations-from Heathcliff’s arrival to the Earnshaw family to the union of Hareton and Cathy-may not have occurred. It should also be noted that many events consisted of an eerie, strange feel to them-a similar style seen in many Gothic novels, a popular genre in the eighteen and nineteen hundreds. One of the most important occasions in Wuthering Heights was the fateful day when Mr. Earnshaw came back from Liverpool with a homeless†¦show more content†¦At the top of the hierarchy there was royalty. Next up were the aristocrats, which consisted of those who owned of a large amount of land and people such as baronets and knights. Below them were the gentry, who had enough assets to live on and many came from families of ancient lineage. The bottom consisted of the working class, which was where most of the people belonged in. In Wuthering Heights, we can assume that the Earnshaws and Lintons were seen as gentry. Both families inherited their estates from their antecedents (noticeably, both â€Å"Hareton Earnshaw† and â€Å"1500† are engraved at the entrance of Wuthering Heights). But even though both families would be gentries, there is a striking difference between them. Thrushcross Grange and the Lintons would appear to be more elegant and sophisticated a s opposed to the wild nature of the Wuthering Heights and the Earnshaws, and when describing Wuthering Heights, Lockwood mentioned that it would appear to belong to a â€Å"homely, northern farmer.† The differences between the two families are also made evident by Catherine’s selfish thoughts when she spoke with Nelly Dean. She acknowledges that it â€Å"would degrade [her] to marry Heathcliff,† but if she married Edgar Linton â€Å"[she] shall like to be the greatest woman of the neighborhood.† There are many marriages occurring between the main families in Wuthering Heights, but had the book been written after the nineteenth century some of the marriages would not have beenShow MoreRelatedCharacterization in Wuthering Heights Essay1743 Words   |  7 PagesWuthering Heights deals with the very nature of controversy and paradox. The novel expresses deep criticisms of social conventions, and Brontà « uses her characters in their incongruous surroundings to exemplify her concerns of the strict social code which she herself was expected to abide by, whilst remaining true to the principles she considered most important. Wuthering Heights challenges orthodoxy with heterodoxy, of which destruction and chaos triumph over social pretensions. The most undeniablyRead More Comparing Virginia Woolfs Mrs. Dalloway and Emily Brontes Wuthering Heights1678 Words   |  7 PagesWoolfs Mrs. Dalloway and Emily Brontes Wuthering Heights Virginia Woolf’s Mrs. Dalloway and Emily Bronte’s Wuthering Heights share similarities in many aspects, perhaps most plainly seen in the plots: just as Clarissa marries Richard rather than Peter Walsh in order to secure a comfortable life for herself, Catherine chooses Edgar Linton over Heathcliff in an attempt to wrest both herself and Heathcliff from the squalid lifestyle of Wuthering Heights. However, these two novels also overlapRead MorePride And Prejudice By Jane Austen1615 Words   |  7 Pages‘Pride and Prejudice’ and ‘Wuthering Heights’ both conform to an idealized happy ending within the category of love and marriages within them, as you most consider the meaning of ‘happy ending’ in both novels. In Jane Austen’s 1813 novel ‘Pride and Prejudice’, â€Å"a single man in possession of a good fortune must be in want of a good wife, addressing the fixation of marriage for social progressionin thenineteenth-Century English society. In contrast, it is revealed in the book that the oppositeisRead MorePride And Prejudice By Jane Austen1280 Words   |  6 Pages‘Pride and Prejudice’ is concerned with the equality of personhood between characters in the story. For instance, the marriage of Charlotte Lucas marriage to Mr. Collins which can be demonstrate the fact that marriage in the 19 century England, was ultimately seen as being an economic institution, dictated primarily by economic means. 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In fact, the entire novel could be analyzed using comparison and contrast. Examples of the clashing contrasts are found in the violence between Heathcliff and Edgar, Heathcliff and Linton, Heathcliff and Hindley, Catherine and Isabella, and Heathcliff and Isabella. Other contrasts which serve to explicate the plot and relationships areRead MoreThe Presentation Of Conformity And Subversion Of Gothic Archetypes2573 Words   |  11 Pagesthe presentation of conformity and subversion of gothic archetypes The gothic genre has been a prominent literary style throughout many eras, a popular example being ‘The Castle of Otranto’. I have studied three texts; Emile Bronte’s novel ‘Wuthering Heights’, published in December 1847, ‘The Selected Poems of John Keats’, published in 1817 and the later ‘The Bloody Chamber’ by Angela Carter, published in 1979. They all use gothic elements in different ways to create a variety of effects and reflectRead MorePairs in Brontà «Ã¢â‚¬â„¢s Wuthering Heights1836 Words   |  8 PagesThroughout Wuthering Heights, Emily Brontà « presents and develops several pairs of characters, ideas, and locations that work both together and in contrast to each other, such as the temporal, and perhaps most obvious, juxtaposition of the two properties Wuthering Heights and Thrushcross Grange. Within these locations emerge three distinct character pairs, tied together by the similar type of relationship upon whic h each is based: a brother and sister connection, although not necessarily one definedRead MoreThe Thin Barrier Between Sanity And Insanity2935 Words   |  12 PagesMadness is presented in various ways throughout the three texts. The thin barrier between sanity and insanity and what lies on each side is thoroughly explored in Keats, Bronte and Carter, as the theme of madness is archetypal of Gothic literature. One aspect of madness mentioned is the idea of love leading to lunacy. In ‘Isabella’, written by Keats, the protagonist is described to have gone mad with depression once she finds out that her lover is dead, and it’s stated that ‘she forgot the stars

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